In an America stretched by crisis to the breaking point, billionaire entrepreneur and government insider James Sands is riding high.  Over the protests of civic groups and the increasing alienation of his wife, Anne, Sands is poised on the brink of an immensely risky and controversial deal that will give him control of all public water in the Pacific Northwest.  But when his business partner is murdered by a radical group called The Army of the Republic, Sands finds himself losing control of his business and his life.  Desperate, he turns to Whitehall Security, a private intelligence firm with far-reaching political connections.  For a steep monthly fee, Whitehall will hunt down and eliminate any threats to Sands’ enterprise.

Meanwhile, in Seattle, a young guerrilla named Lando leads The Army of the Republic into a dangerous war of ideals.  Charismatic and cunning, Lando is obsessed with the goal of saving the country from its corrupt ruling alliance by any means necessary.  His reluctant ally is political organizer Emily Cortright, coordinator of a network of civil, religious, and labor groups.  Bound together in a web of common aims and conflicting loyalties, the two plan a massive peaceful protest against a conference of national business leaders, which they hope will stagger the Regime.  

Beyond his control, though, Lando’s Army of the Republic has already unleashed a chain of events that will electrify and frighten an uneasy nation.  Hemmed in by their lethal compromises, Emily, Lando, James and Anne struggle to redeem or destroy those that they love most.

Thrilling and unforgettable, The Army of the Republic is a brilliant, provocative novel about what it means to live in a democracy.

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The Inside Story

The idea of revolution had been kicking around in my head and my journals ever since my first trip to Central and South America in 1984, a fact that wasn’t looked on very kindly by the Salvadoran military when they arrested me and translated my journals on my first eventful trip south.  I remember that incident clearly, especially being blindfolded and interrogated for 8 hours at the San Salvador jail, and thinking, this guy with the black shoes (I could see a tiny slit of the floor through the bottom of the blindfold) seems nice, just a cop doing his job, but that one with the brown loafers, he’s bad news.  He’s one of those death-squad guys. And that perception, correct or incorrect, of the mixture of perfectly decent people and rather evil people, thrown together by a bad situation, stayed with me. 

When I saw the drift of the country after 2000, I felt more and more that my next book should take on the subject I’d been wanting to write about for nearly two decades.  I jotted down an opening paragraph of AOR  when I was still finishing 17 Stone Angels, and didn’t return to it for a couple of years.  The rough draft was finished in early 2005.

The research was much more difficult than I’d anticipated.  I accumulated a shelf full of interesting books: how to form a new identity, improvised explosives, surveillance and bodyguarding.  Also many thick books in Spanish about Argentine urban guerrillas of the ‘70’s, which I rounded out with interviews in Buenos Aires.  In addition to that, I talked to organizers of the 1999 WTO Protests, student activists, 1960’s activists, CIA people and assorted others.  Unlike the research for 17 Stone Angels, which came together in a few exhilarating weeks, the research for AOR was difficult and, at times, disturbing.

Of the four books I’ve written, AOR was probably the most difficult.  Revolutions are inherently dramatic events, where a small group of people, usually middle-class students or young professionals, band together to take on the state.  The other kind of revolution, though, the kind where masses of people organize to overthrow the state non-violently, was the opposite.  Grass-roots politics is by its nature diffuse and un-dramatic, an interminable series of conversations, meetings and e-mails whose only climactic moments are the direct confrontations with the state at demonstrations.  Those demonstrations in themselves tend to be fairly incoherent.  So, reflecting the power and excitement of mass movements was probably the most greatest challenge of the book.  Weaving in the themes of propaganda, the Bible, the War between Words and Pictures, and other ideas added yet another level of difficulty.

But the most important element of The Army of the Republic, the conflict between James Sands and his estranged son, came directly from my own life.  My own 8 year old son was going through a particularly defiant phase, and I couldn’t help but visualize how it might play out if I never learned to deal with it constructively.  That became the seed of the relationship between James and Joshua Sands, which is ultimately what drives the book.